I can't believe that it's been almost TWO months since I've written a blog post. Thank goodness this is not a reflection of my "real" writing - I've been busily working on a manuscript geared to 5th, 6th, and 7th grade boys. I'm having fun with the characters, and I'm hoping that this will turn into a series.
What have you been writing?
Thursday, July 15, 2010
Friday, May 21, 2010
How do you stay motivated?
So you've started a new story. It's all fresh and new, and you can't stop thinking about it. Your characters are really coming to life, and you are really beginning to care for them. You're cruising right along and then BAM! You lose interest.
I really don't like it when this happens to me. I'm not exactly sure what sparks this sudden non-desire, but my hard drive is riddled with abandoned stories.
I've found that when it really counts and I have to finish the story, I'll find pictures of what I think the characters look like. I'll either cut them from magazines or find them online. Having a clear idea of who they are, and then having them staring at me is really motivating. Or, if I've based the characters loosely on someone I know, I'll either visit or find out someway (Facebook) how they are doing, thus piquing my interest again. These are odd little quirks - I know - but I'm pretty much a visual person, so having either the storyline, images, or even just the list of characters in my face, helps me focus.
Does this ever happen to you? What makes you move on? What keeps you from abandoning your wip - other than a concrete deadline?
I really don't like it when this happens to me. I'm not exactly sure what sparks this sudden non-desire, but my hard drive is riddled with abandoned stories.
I've found that when it really counts and I have to finish the story, I'll find pictures of what I think the characters look like. I'll either cut them from magazines or find them online. Having a clear idea of who they are, and then having them staring at me is really motivating. Or, if I've based the characters loosely on someone I know, I'll either visit or find out someway (Facebook) how they are doing, thus piquing my interest again. These are odd little quirks - I know - but I'm pretty much a visual person, so having either the storyline, images, or even just the list of characters in my face, helps me focus.
Does this ever happen to you? What makes you move on? What keeps you from abandoning your wip - other than a concrete deadline?
Saturday, May 8, 2010
Another new story, but only a partial
I'm off and writing a new partial for my agent. Even though I've written one other middle grade partial, my agent told me to start on a new story while she's shopping the one full MG and the partial MG manuscripts. I guess from now on, since I've written a full in each genre I write, I only need to write partials for her to submit. I'm not sure if all agents work this way, but mine does. And, I have to say that I really like it. I don't have to commit myself (or the time) into completing an entire story. I can write a partial and synopsis and then move on.
The only downside that I see to this arrangement is that perhaps my enthusiasm for the story may wane if I don't keep plugging along. I've got several women's fiction manuscripts that are partially completed because I lost interest. But those cases are different, I think (I hope) because I hadn't written a synopsis and they were written early in my writing career - meaning, I've learned a lot more since then and I'm sure if I went back to those, I'd see the problem I lost interest - no clear story problem.
Either way, I think it's pretty cool that I only have to commit to three-five chapters and write the dreaded synopsis.
How do you write? One full story at a time, or in partials?
The only downside that I see to this arrangement is that perhaps my enthusiasm for the story may wane if I don't keep plugging along. I've got several women's fiction manuscripts that are partially completed because I lost interest. But those cases are different, I think (I hope) because I hadn't written a synopsis and they were written early in my writing career - meaning, I've learned a lot more since then and I'm sure if I went back to those, I'd see the problem I lost interest - no clear story problem.
Either way, I think it's pretty cool that I only have to commit to three-five chapters and write the dreaded synopsis.
How do you write? One full story at a time, or in partials?
Friday, April 30, 2010
Brenda Novak's Annual Online Auction to Benefit Diabetes Research
My agent wanted her clients to get the word out about this wonderful fundraiser -Brenda Novak's Annual Online Auction to Benefit Diabetes Research. Please visit Brenda's website for all the details:
http://brendanovak. auctionanything. com/Home. taf
A ton of items are being auctioned - books, art, tickets, gifts, critiques, meetings, meals, conference fees, etc.. In addition, numerous industry pros have donated critiques and manuscript evaluations to help the cause.
My agent donated a critique/evaluation of a partial (synopsis and first three chapters) and a follow up phone call w/in 1 week.
One lucky winner will get a manuscript evaluation (pubbed or unpubbed) from Hollywood actor/writer/
director Doug McKeon with a follow up phone call (or meeting in L.A.).
So head on over to Brenda's site and help raise money for a great cause while earning a chance at a bunch of cool prizes.
http://brendanovak.
A ton of items are being auctioned - books, art, tickets, gifts, critiques, meetings, meals, conference fees, etc.. In addition, numerous industry pros have donated critiques and manuscript evaluations to help the cause.
My agent donated a critique/evaluation of a partial (synopsis and first three chapters) and a follow up phone call w/in 1 week.
One lucky winner will get a manuscript evaluation (pubbed or unpubbed) from Hollywood actor/writer/
So head on over to Brenda's site and help raise money for a great cause while earning a chance at a bunch of cool prizes.
Labels:
Brenda Novak Online Auction,
Diabetes,
Kris Yankee
Thursday, April 29, 2010
Finding Your Inner Voice
As an editor, I am very aware of my authors' voices. When doing a line or content edit, I try very hard not to change their words into my words. When I meet with authors, I tell them up-front, "I won't change your voice." Sometimes they look at me like I'm crazy. I'm used to that. But other times, more often, they thank me and we get on with our meeting.
Recently, I had a conversation with my agent. I was feeling unsure of the genre that I've decided to concentrate my time and effort into now. My instinct, before at least, was to write stories that dealt with adult women and their issues - something I know a lot about! But when she poised the question - or request - of writing in a new genre because the women's fiction market was flat, I decided to try middle grade. I didn't think it would be that hard; I've got two youngish boys in my house and a husband who is a big kid himself (sorry, honey, but you know it's the truth.) I wrote a full manuscript (book one in a series) and then a partial for a completely different series. I felt pretty good about the stories, or the potential for each story.
Since those two manuscripts, along with a women's fiction mss, are floating out in editorville, it's easy to doubt my new found MG voice. Is it authentic? Will readers gravitate toward it? Will they realize that an "old" lady wrote it and not some young, hippy chick?
I certainly believe that my women's fiction voice is not the same as my middle grade voice. In MG, my characters say "crap". In my women's fiction, my characters say "shit" or something much stronger since shit is not my favorite swear word. : )
I'm so much more aware of how my boys talk now. Whether it's talking to each other, to my husband or me, or to their friends, their lingo is becoming my MG voice. It's still my voice, but at a much younger age. And who wouldn't want to be younger these days?
Music also helps me find my voice, especially if it's for someone much younger. I listen to Linkin Park, Black Eyed Peas, Katy Perry, Lady Gaga, Pink, Train...just to name a few.
When my characters seem like real people, my voice comes so naturally. I've created these "people", so I get to live out their adventures. It's way cool.
In whatever genre, author voice is distinct to each writer. Do not try to write like someone else. When you do that, the writing is not authentic. I learned early on that copying (not plagiarizing), but copying someone else doesn't make me sound real.
Do you notice your voice? How do you feel when others (editors or critique partners) try to change your voice?
Oh, and that conversation with my agent, yeah, she told me I had a younger voice. I tend to agree.
Recently, I had a conversation with my agent. I was feeling unsure of the genre that I've decided to concentrate my time and effort into now. My instinct, before at least, was to write stories that dealt with adult women and their issues - something I know a lot about! But when she poised the question - or request - of writing in a new genre because the women's fiction market was flat, I decided to try middle grade. I didn't think it would be that hard; I've got two youngish boys in my house and a husband who is a big kid himself (sorry, honey, but you know it's the truth.) I wrote a full manuscript (book one in a series) and then a partial for a completely different series. I felt pretty good about the stories, or the potential for each story.
Since those two manuscripts, along with a women's fiction mss, are floating out in editorville, it's easy to doubt my new found MG voice. Is it authentic? Will readers gravitate toward it? Will they realize that an "old" lady wrote it and not some young, hippy chick?
I certainly believe that my women's fiction voice is not the same as my middle grade voice. In MG, my characters say "crap". In my women's fiction, my characters say "shit" or something much stronger since shit is not my favorite swear word. : )
I'm so much more aware of how my boys talk now. Whether it's talking to each other, to my husband or me, or to their friends, their lingo is becoming my MG voice. It's still my voice, but at a much younger age. And who wouldn't want to be younger these days?
Music also helps me find my voice, especially if it's for someone much younger. I listen to Linkin Park, Black Eyed Peas, Katy Perry, Lady Gaga, Pink, Train...just to name a few.
When my characters seem like real people, my voice comes so naturally. I've created these "people", so I get to live out their adventures. It's way cool.
In whatever genre, author voice is distinct to each writer. Do not try to write like someone else. When you do that, the writing is not authentic. I learned early on that copying (not plagiarizing), but copying someone else doesn't make me sound real.
Do you notice your voice? How do you feel when others (editors or critique partners) try to change your voice?
Oh, and that conversation with my agent, yeah, she told me I had a younger voice. I tend to agree.
Monday, April 19, 2010
When Characters Pop In My Head
So...I'm supposed to be working on finishing up the partial my agent submitted a few weeks ago. It's a story that I really like, with characters that I can see having fun and growing. It's the first of a series, so I feel like there are a lot of opportunities.
But I've got this nagging character from another story chirping in my ear. I'm pretty sure she's the same one that's hanging around in a women's fiction manuscript I started, but haven't finished. She's been bothering me big time lately. So much so that I sat down and wrote a page for her. She's quieted now for the moment, but I know she'll be back.
They always come back.
I know this sounds like I'm crazy. But if you're a writer, I'm sure this doesn't sound any different than what goes on in your head - at least I hope it doesn't sound any different! If it is, someone call the white-jacketed men so they can take me away!!
What do you do to calm those pesky characters who want to be heard now, who don't want to wait? Do you write a bit? Do you outline their story? Do you take notes and then get back to your current wip? Or do you ignore them all together?
I know this chick is not going to leave. I've been thinking about her story off and on, knowing that I needed to return to it at some point. I've put about 25k down in words for that story, and I don't want the time I spent on it to go to waste.
What do I tell her? I've given her a new beginning, and she's happy for now. But that won't last long. Sooner or later, I know I'll cave and get back to her, even though I've told my agent that I want to write MG now. Guess I can't help my women's fiction roots.
But I've got this nagging character from another story chirping in my ear. I'm pretty sure she's the same one that's hanging around in a women's fiction manuscript I started, but haven't finished. She's been bothering me big time lately. So much so that I sat down and wrote a page for her. She's quieted now for the moment, but I know she'll be back.
They always come back.
I know this sounds like I'm crazy. But if you're a writer, I'm sure this doesn't sound any different than what goes on in your head - at least I hope it doesn't sound any different! If it is, someone call the white-jacketed men so they can take me away!!
What do you do to calm those pesky characters who want to be heard now, who don't want to wait? Do you write a bit? Do you outline their story? Do you take notes and then get back to your current wip? Or do you ignore them all together?
I know this chick is not going to leave. I've been thinking about her story off and on, knowing that I needed to return to it at some point. I've put about 25k down in words for that story, and I don't want the time I spent on it to go to waste.
What do I tell her? I've given her a new beginning, and she's happy for now. But that won't last long. Sooner or later, I know I'll cave and get back to her, even though I've told my agent that I want to write MG now. Guess I can't help my women's fiction roots.
Thursday, April 15, 2010
Writing Inspiration
As a creative person, inspiration for me comes in many muses. One day it could be the dark and foreboding clouds, the anticipation of them bursting into rain. Another day it could be the silly ramblings of my boys, as they play or even fight with each other.
There are seasons which are more inspirational for me, like Spring and Fall. I love to sit and write in front of our big picture window while the flowers bloom and the hummingbirds dance on the feeder or at the swaying bee balm. Fall brings the changing of the season in bright, bold colors, usually ending in a shower of leaves which end up in brown piles against the green carpet of grass.
People are sometimes my inspiration. More so than not, only pieces of people I know, and don't know, trigger something which usually becomes a character trait (or flaw) in my work. But sometimes, a person makes such a difference in my life that they truly become my muse.
What inspires you to write? What doesn't?
There are seasons which are more inspirational for me, like Spring and Fall. I love to sit and write in front of our big picture window while the flowers bloom and the hummingbirds dance on the feeder or at the swaying bee balm. Fall brings the changing of the season in bright, bold colors, usually ending in a shower of leaves which end up in brown piles against the green carpet of grass.
People are sometimes my inspiration. More so than not, only pieces of people I know, and don't know, trigger something which usually becomes a character trait (or flaw) in my work. But sometimes, a person makes such a difference in my life that they truly become my muse.
What inspires you to write? What doesn't?
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